In Chicago we have had
our study group meetings for the last 32 years. It has been a great source
of support for friendship and creativity. Of course some months are better
attended than others, and the quality and volume of the work varies. But I
have always come away feeling better. From time to time, however, I’m
saddened by the thought that with all the inspiring work that has passed
through those doors, none of it has been chronicled. There will be no
evidence that we even existed!
I know
that over the years other study groups in other cities have sprung up,
varying in size and frequency of meeting. In featuring all levels of works
from them, the point is to show just how important a study group can be in
our development as calligraphers, at so many different levels. And, YES, it
shows, indeed, WE WERE HERE! This informal gathering of kindred spirits has
nurtured us, given us continuity in ways we may have hoped for, or may never
have expected. I would like for it to be a legacy to pass on to current and
future calligraphers: a way to inspire others to start their own study
groups.
So,
for the beginning of this year I will be featuring attendees of our Chicago
group. We have had an embarrassment of riches over the decades when it comes
to talent. This is a sampling. PLEASE send me works from any study group you
may have been part of so it may be featured here and inspire others:
contactreggie@comcast.net
Thank you. Reggie
* * * * * * * * *
This work was done by Lisa Kivland: Title:
"Awakening"
Credit: Irene Claremont DeCastillejo Image
size: 4” x 4-1/2”, watercolors on watercolor paper, 23k gold In
July 2015, I attended the international calligraphy conference in
Sonoma, CA, tutored by Belgian artist/calligrapher Liesbet
Boudens, in a course entitled “Design & Interpretation for
Extraordinary Letters”. Using Roman letters as the basis for the
composition, the goal was to design ‘words as image’ and
interpret letterforms to evoke the emotion of the words. Starting
with thumbnail pencil sketches, I photocopied and reworked the
drawn, built up letterforms repeatedly, gradually larger and larger,
while paying attention to each letter and detail as it relates to
the whole. This deliberate, methodical approach allowed the
composition to develop organically into an expressive piece,
actually quite different from the original thumbnail sketch. The
subtly variegated greens and blues of nature symbolize a simple
yet gentle reminder that we awaken each day purified, anew and
awash with fresh opportunities….
* * * * * * * * *
You can enjoy all the Pics of the Week from 2009 through 2018,
archived on the home page of my website
www.reggieezell.com
————————————————————————————— NEW: ON LINE COURSES! Live, one
on one with Reggie Ezell Information on courses and workshops
www.reggieezell.com You
can contact me directly:
contactreggie@comcast.net or 773-202-8321
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several short (free) Calligraphy videos:
http://www.youtube.com/reggieezell
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