Tudor England has fascinated me since I was 10 years
old. I’ve read so many books and seen just about
every movie and TV series ever made about this
world. I love the period fashion, the architecture,
the music, dancing, portraiture and court life. It’s
been part of my life for so long that I just had to
make it the subject for a calligraphy project on
Carolingian lettering.
For people unfamiliar
with Henry VIII, he ruled England from 1509 to 1547.
He was a monarch of many talents who also had a way
with words, expressed through song lyrics and
poetry. You might say he seemed more in love with
the idea of love rather than the reality of
marriage. The man had six wives, beheading numbers
two and five. Wife number two, Anne Boleyn, was a
highly intelligent and cultured woman. And although
many believe she was extremely ambitious and
hot-tempered, Anne hardly deserved the fate she
suffered. Most historians feel she was not guilty of
adultery (as opposed to wife #5 who was). So in this
drawing, Anne Boleyn’s severed head is
understandably scornful of her husband’s love
making.
At first, I thought I might simply
letter one of Henry VIII’s songs called “Green
Groweth the Holly.” But this idea gradually evolved
into one I thought might be more interesting: a
16th-century record album cover with titles of
contemporary pop songs about broken hearts written
in old English. Channeling the 1980s Greenwich
Village art scene, this would be a kind of surreal
commentary comparing a world of courtly love and
troubadours with more modern expressions heard on
the radio and via other forms of pop culture. I
decided to mix up Renaissance tapestry motifs with
other ingredients taken from consumerism, cartoons
and tattoos.
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Multiple references to love were made with the
King and Queen of hearts from playing cards, pierced hearts
which are popular tattoo motifs (although these are pierced by
calligraphy pens) and homicidal cupids. Love-struck Tex Avery
cartoon characters appear in place of the small birds and
mammals you’ll find in tapestries of this period. Because this
is a consumer product, I included a logo (K-tel was a popular
brand in the ‘70s, offering lots of songs for a low low price).
The price label for Tower Records (a 20th century retail chain
store) also refers to the Tower of London.
I created this piece using Prismacolor pencils on 130# Canson
paper. References for the drawing were found online such as the famous
Hans Holbein portrait of Henry and foliage from Renaissance
tapestries. Some of the lettering was hand drawn with a pencil in
Carolingian style and some was drawn in various monoline styles
learned earlier in Reggie’s 26 Seeds course. The song titles at the
bottom were written with a #2 Mitchell nib in Winsor & Newton gouache.
This project turned out to be a mixed-media endeavor. I discovered
that you really can find just about anything on the internet -
including a photo of an old Tower Records price label which I printed
on acid-free paper, touched up with color pencils and glued with
rubber cement to the drawing. It seemed appropriate to add some
gilding which I did for the very first time by myself (consulting
class notes and hand outs). These gold touches are the diamond-shaped
ornaments by the song titles at the bottom.
In sum, I’ve never
created a drawing like this before and I thoroughly enjoyed myself.
There was something very liberating about irreverently throwing
history and pop culture in a blender together and whipping up an
extra-chunky concoction of something entertaining and strange. |